MAXHOSA AW26

What made the presentation especially compelling was its sense of movement. The collection drew from music, rhythm, and dance, reinforcing the idea that fashion can carry memory as much as it carries silhouette.

Reverie by Caroline Hu AW26

At the center of the collection was an intimate reference point: a worn towel Hú has kept since childhood, transformed in her imagination into a vessel of comfort, nostalgia, and emotional permanence.

Zomer AW26

Now in its fifth official appearance on the official PFW calendar, Zomer continues to emerge as one of Paris Fashion Week’s most compelling independent labels. The brand’s growing recognition through both the ANDAM Prize and LVMH Prize conversations signals that the industry is paying attention.

John Richmond AW26

For The Fashion Edit reader, this was the kind of show that reminds you why London remains such a compelling fashion capital; it can hold chaos and elegance in the same frame.

Charlie Constantinou AW26

This collection screams dynamic individuality within a functional core, perfect for the modern wearer navigating extreme environments or urban grit. In an industry chasing trends, Constantinou's commitment to heritage craftsmanship fused with futuristic tech feels like a wardrobe revolution; resilient, green, and unapologetically personal.

LIBEROWE AW26

Liberowe’s carefully constructed mix of tailoring and ornament has resonated with boutiques and department stores: the label now appears on global stockists and in the buying programs that helped bring it to LFW’s official schedule.

YAKU AW26

Walking into the space it felt like civilization was finally forming its foundation. And at the base of all civilizations are ideologies that were brought to new lands and planted to take root in the formation of new societies. This space felt less explorative and adventurous than previous seasons and took on a more formative and obedient atmosphere.

Rafael Azevendo AW26

At 20, Azevedo has already made emotional storytelling the spine of his brand. "O Que Fica" was a fourteen-look meditation on loss: how grief stains and clings, how it alters movement and silhouette.

Poet Lab AW26

Poet-Lab began as a proposition, fashion as a workshop of thought. And Inside the Lab felt exactly that; a designer interrogating the systems that define refinement and then offering clothing that privileges intention over ornament.

Meagratia AW26

Takafumi Sekine’s vision was anchored in the idea that beauty can exist inside chaos, and that human imperfection holds its own kind of elegance. Rather than smoothing over contradiction, Meagratia leaned into it, using clothing to reflect the shifting nature of the heart and the uneasy grace of living with conflicting emotions.

Doublet AW26

This was the kind of collection that reminds us fashion can be clever without losing heart. Doublet has long been one of those labels that rewards close looking, and AW26 continued that approach with a concept that was both intelligent and oddly moving.

Charles Jeffrey Loverboy AW26

When Charles Jeffrey returns he does it in a way that asks you to lean in. For AW26, Loverboy’s collection, "Thistle", was less a runway and more a full on concert (that I did not want to end). A pagan punk rite staged deep in the bowels of Dover Street Market Paris, where canvases painted by the designer wrapped the space and friends moved through the room wearing clothes that felt equal parts armor and confession.

ERL AW26

Rather than classic tuxedos, the show favored velvet trousers, cotton flight suits and a few deliberately theatrical moments. Finishing touches included "Dynasty" scale jewelry and fur trims used to punctuate mood. These details pushed the collection between camp and couture.

LuChen AW26

Founded by Lu Chen in 2021, LÙCHEN has steadily migrated from New York to Paris, carving a niche between experimental couture and wearable thinking. The brand’s philosophy, to treat garments as 3D objects that evolve with time and touch, is visible in every seam and improvised surface. AW26 is less a seasonal exercise than an act of reclamation.

System AW26

SYSTEM’s showing felt like another proof point in a maturing wave of Korean brands staking serious claims on the global menswear map. The creative direction credited in local coverage to the label’s Paris identity and its in house leadership leaned into a hybrid language of tailoring and underculture references, an approach that reads as both commercially savvy and thoughtfully attuned to the contemporary customer.

VOWELS AW26

The show unfolded across four connected rooms, each evoking a city important to the house; Paris, New York, Los Angeles and Kyoto. The choreography made the collection feel lived in rather than staged. That architecture mirrored the clothes’ premise; garments conceived for movement, adaptability and a steady pace rather than theatrical single moment impact.

Ouest Paris AW26

Presented in an open, in public shooting format rather than a traditional runway show, the collection felt intentionally unforced. That choice gave the clothes room to speak for themselves, highlighting texture, proportion, and construction while reinforcing OUEST Paris’s commitment to garments designed for real life rather than spectacle.

Walter Van Bierendonck AW26

Visually, the collection balanced bright color, technical fabrics, and precise tailoring with utilitarian details and modular styling. The result was a wardrobe that felt dynamic and transformable, as though each piece could be reworked, reshaped, or worn in multiple ways.

Solid Homme AW26

Solid Homme’s AW26 collection arrived at Paris Men’s Fashion Week with a confident, considered vision of contemporary menswear. Under Woo Young Mi’s direction, the house continued to explore the tension between discipline and ease, reworking tailoring through a lens of utility, movement, and modern identity.

Valette Studio AW26

Creative director Pierre François Valette framed the collection around a tension that feels especially relevant right now, the push and pull between design as an idea and clothing as a made object. That sense of resistance ran through the show, where each look seemed to underline the value of workmanship, local production, and an in house understanding of construction. In Valette’s world, tailoring is not merely a silhouette but a language of precision and care.

The Fashion Edit Journal