What is happening in fashion and who is happening in fashion? The Fashion Edit has been hitting the pavement in stilettos to bring you the latest and greatest at London and Paris Fashion Weeks. With access to the brands and trends that are shaping our world, we invite you to come along as we explore the world of fashion visionaries and strut alongside today’s most prolific creators. Join Fashion Editor, Sophie Lin, as she pops in and out of shows throughout the electrifying city of London and fashion’s ground zero, Paris. Discover what is to come in the upcoming seasons and feel the buzzing excitement of the moment of creative inception.
Once upon a time, in a London crypt Hector Maclean unleashed a heroine. Not just any heroine, but one forged in fire, light, and self confrontation. The Girl Who Ate the Dragon, his SS26 collection, translated personal battle into couture poetry.
Read MoreWhat makes SS26 deeply compelling is its sensory layering. Sustainability isn’t an afterthought, it’s the root system. Chu continues his commitment to mindful creation by fusing upcycled, plant based fabrics with next generation materials.
Read MoreAs we stepped back into the real world, it became clear that this wasn’t merely a fashion presentation. It was a family gathering, a landscape of memory stitched into motion.
Read MoreJust when you think Completedworks could not possibly outdo itself, it produces Jerry Hall.
Read MoreI was completely beyond words and that was a terrible predicament to be in when one is a writer. But this extravaganza of a show was just too much to take in all at once. I have never been so culturally imbued in my entire life.
Read MoreThe palette runs pale stone, frosted pink, muted yellow, cream and nude, colors softened and weathered like polished glass shaped by the sea. These tones don’t shout; they glow quietly, allowing texture and form to do the emotional heavy lifting.
Read MoreThe collection is a merge of worlds where inspiration is pulled from both history and the digital realm, brought to life through bold silhouettes and sculptural textures. There’s a constant push‑pull between severity and play.
Read MoreSeries09 is described as “a memory of an inclusive and welcoming Britain,” a phrase that reads almost like a question when set against the backdrop of anti immigration rallies and counter protests that filled London’s streets just days before. Prototypes’ answer is not to retreat into rose tinted nationalism, but to confront the British flag and its loaded visual language head on.
Read MorePFW gifted us many unforgettable moments this season, but one show soared above them all, literally. Colm Dillane’s KidSuper SS26 presentation, The Boy Who Jumped the Moon, wasn’t just a fashion show. It was a parable, a bedtime story come to life, stitched in fabric and imagination under the grand ceilings of the Musée des Arts Décoratifs. Without hesitation I’ll say it, this was my favorite show of all time.
Read MoreThis season, Camperlab (yes, that Camperlab), under the visionary direction of Achilles Ion Gabriel, unveiled its SS26 collection, marking a compelling new chapter for the brand and a bold step away from its experimental roots in footwear to a full-fledged fashion label.
Read MoreLights dim, projectors whirred (in reality we were outside but use your imagination), and suddenly we were no longer in Paris but at a mid-century drive-in theater, complete with popcorn in hand.
Read MoreParis was its usual restless, impatient self as the crowd swelled outside the Kidill SS26 show. The heat had already taken its toll, I noticed one woman who seemed to surrender to it altogether. Stepping out of her Uber in nothing more than stockings and lingerie. And yet, as I watched her stride past us with a kind of defiant insouciance, I couldn’t help but think, isn’t this precisely the sort of unfiltered authenticity that belongs here?
Read MoreThe Études Studio SS26 show at Paris Fashion Week, titled "Surroundings," was a deeply poetic exploration of the artist's relationship with their environment and wardrobe. Held at the Palais de Tokyo, the collection reflected on Land Art, using this concept to examine the marks left on landscapes and clothing alike.
Read MoreUJOH’s AW25 collection unfolded as a nostalgic yet fiercely modern ode to the subversive spirit of Japanese high schoolers in the ‘90s. Designers Aco and Mitsuru Nishizaki, masters of deconstructed tailoring, reimagined the school uniform as a canvas for self-expression, blending rigidity with fluidity. Oversized cardigans draped over asymmetric skirts defied conformity, while leg warmers, echoing the era’s iconic loose socks, whispered of adolescent rebellion.
Read MoreThe debut of HAYELI’s AW25 collection was a philosophical inquiry draped in liquid organza and laser-cut illusions. The question posed by designers Armine Ohanyan and artist Tigran Tsitoghdzyan lingered in the air like a refrain... Are we the image we see in our reflection, or the one we invent?.
Read MoreMiao silversmithing inspired detachable brooches (sun, butterflies, dragons) and cascading silver-chain necklaces. Studded leather bib tops and quilted jackets echoed the tribe’s talismanic aesthetic, while mandarin collars gleamed with metallic precision. Ten one-off bags, each dedicated to a Miao embroidery technique, stole the show. The Hobo and Secret-zip crossbody offered playful versatility, but the true stars were the embroidered classics, their panels stitched with "histories one by one".
Read MoreCanovas transformed the embassy’s dining hall into a linguistic battleground. Models clad in oversized lime-paper letters rearranged them into English, French, and Spanish phrases, blurring the lines between fashion and performance art. The collection itself was a riot of her signature bold hues and graphic play consisting of lace-up bustiers inspired by Converse sneakers (adorably accessorized with flowers by her mother) and shirting reinvented with furry cuffs and reversible silhouettes.
Read More"While creating this collection, I understood there is no closure. Perhaps this is why one collection always follows another, there is never a finish line, never a definitive answer, only the question that persists. It may shift in angle or narrative, but it remains the same at its core, a question that will never find resolution." Yonathan Carmel
Read MoreAntonin Tron’s ATLEIN Fall Winter 2025 collection, unveiled at the Palais de Tokyo, was a study in sartorial sculpture. Drawing from prehistoric Venus figurines; symbols of fertility, power, and the female form, Tron reimagined the body as a canvas for architectural drapery.
Read MoreParis Fashion Week’s enfant terrible, Florentina Leitner, turned the American Church in Paris into a fever dream of preppy rebellion with her AW25 collection, “2 Cool 4 School”. The Austrian designer’s signature whimsy met alien futurism in a riot of puffed sleeves, sequined mini skirts, and frilly 3D-flower schoolgirl blazers as if "Princess Diaries" was reimagined by a cyberpunk stylist.
Read More
