Solid Homme’s AW26 collection arrived at Paris Men’s Fashion Week with a confident, considered vision of contemporary menswear. Under Woo Young Mi’s direction, the house continued to explore the tension between discipline and ease, reworking tailoring through a lens of utility, movement, and modern identity.
Read MoreCreative director Pierre François Valette framed the collection around a tension that feels especially relevant right now, the push and pull between design as an idea and clothing as a made object. That sense of resistance ran through the show, where each look seemed to underline the value of workmanship, local production, and an in house understanding of construction. In Valette’s world, tailoring is not merely a silhouette but a language of precision and care.
Read MoreInspired by the figure of the “soundmaker,” the collection explored the work of artists who have shaped, captured, distorted and experimented with sound across different eras. Études Studio traced that influence from John Cage’s minimalist philosophy to the emergence of Intelligent Dance Music in the early 1990s, creating a collection that felt both intellectually layered and visually coherent.
Read MoreStripes summon the seaside elegance of Italian lidos and retro swimsuits. On the skin, silver jewelry (cuffs, bangles, rings) captures the shimmer of water, evoking the simple joys of summer, soothing and luminous.
Read MoreThis SS26 lineup honors Xuly Bët's legacy as an upcycling trailblazer, transforming deadstock into on trend pieces long before eco trends hit the mainstream. Vibrant hues, eclectic prints, and sporty silhouettes flowed seamlessly, proving conscious consumerism can be fiercely fun and wardrobe revolutionary.
Read Moref you've ever wondered what it looks like for girls to get ready for a night out, now you don't have to wonder anymore. Paula Canovas del Vas brought that experience straight onto the streets of Paris, quite literally, parking her vignette truck outside a quintessentially Parisian café.
Read MoreThe horse, a symbol of speed, freedom, and vitality, galloped through every seam and silhouette, transforming the traditional saying, “the horse unstill” into an ode to perpetual motion, inner drive, and the harmony of grace and power.
Read MoreWhen your friend invites you to a designer re-see, you absolutely MUST go. It is private, it is exclusive and it comes with delectable snacks and models that stay with you for as many pictures as your heart desires. There is no check-in anxiety at the entrance, no crowds to push through or seats to fight for. There is even a personal curation of the entire collection by a very knowledgeable Sasha. This absolutely is the most luxurious way to see a collection.
Read MoreAnd this season, Leitner brings a major pop culture twist through an unexpected yet genius collaboration with Paul Frank. Julius the Monkey (and yes, Bunny Girl too) make their comeback; only cooler, cheekier and infinitely more fashion.
Read MoreFor SS26, BERNADETTE presents “Summer Estate”, a collection steeped in playfulness, girlhood, and nostalgia. The show transported us to a sun dappled seaside home, where every room and garden corner held memory.
Read MoreIn this collection, Perlman responds to the turbulent times in which we live. Where we are constantly confronted with unsettling images of reality.
Read MoreThe Spring/Summer 2026 collection from GAUCHERE wasn’t so much shown as it was felt. In a staging where the line between fashion and live art dissolved, Marie-Christine Statz invited us into a world where fabric and body moved as one; an exploration of transformation, rhythm, and the expressive power of form.
Read MoreI didn’t think I was going to make it to this show. It was a very last minute decision after the Uma Wang presentation wrapped. I decided to gun it across the Seine to Samaritaine. By the time I reached the entrance, the doors were already closed. But fashion luck has its own timing, they let me view the show from one floor down, and as fate would have it, all the models lined up right in front of me afterward. It turned out to be the best vantage point of the day.
Read MoreCravatteria patterns weave through like veined stone, a subtle counterpoint to timeless flow. Art history breathes into wearable inquiry.
Read MoreCaroline Hú’s Spring/Summer 2026 collection Reverie at Paris Fashion Week unfolded like a lucid dream; part performance, part poem, and entirely its own universe, where silhouettes flipped, fabric dissolved into light, and romance was reimagined as something quietly radical.
Read MoreDelicate lace, silk, and embroidery flow against the heft of denim, embodying Litkovska’s belief that beauty emerges only when contrasts collide. Each piece was designed to evolve with the wearer, unfolding, unfastening, or transforming, a quiet rebellion against rigidity.
Read MoreIf SS25 was Dé Moo’s opening declaration, a signal to the brand's new beginnings, SS26 was the quiet confidence that follows. The brand maintained its minimal avant-garde backbone but expanded its aesthetic with new materials and bolder, more experimental silhouettes, suggesting a designer increasingly at ease in this larger orbit.
Read MoreFor Spring/Summer 2026, Morinaga turns fashion into a living interface between art, technology, and humanity through a profound collaboration with HERALBONY, a creative company based in Tokyo and Paris. Morioka empowers artists with disabilities to thrive and reframe perception. In a season where “innovation” is often synonymous with speed and novelty, Anrealage slows us down, asking us to look again, and again, until we truly see.
Read MoreMonte Carlo, her SS26 collection, reads like a love letter written in lipstick and tax code to the eternally glamorous, hopelessly scandalous French Riviera. Stating loudly what Absolutely Fabulous fans have known for decades, “the south of France is full of criminals” Andraschko’s tongue in cheek narrative gave us a fresh reason to forgive the excesses of the ultra rich.
Read MoreThe quintessential French It girl, Vautrait’s eternal muse, wandered amongst us. She wasn’t performing, she was simply being.
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